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On 22 November 1963, Gayle and Bill Newman with their sons Clayton and Bill Jr. went to see President Kennedy as the motorcade drove through Dallas. They became some of the closest witnesses to the assassination.

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"We were just in front of the Triple Underpass on Elm Street and we were at the edge of the curb getting ready to wave at the President. [...] The President's car was some fifty feet still up infront of us coming towards me. There was a shot and the President, I don't know who was hit first, but the President jumped up in his seat and I thought it scared him, there was a firecracker, cause he looked, you know fear, and then, as the car got directly in front of us, well, a gunshot apparently from behind us hit the President side, side of the temple." -- Bill Newman

"We were standing next to the curb so the children could see the President. And the car was just up a piece from us. This shot fired out, and I thought it was a firecracker. And the President kind of raised up in his seat, and, uh, I though he was going along with a gag or something, and all of a sudden this next one popped, and Governor Connally grabbed his stomach and kind of layed over his side. And then another one, it was all so fast, and President Kennedy reached up, grabbed, looked like he grabbed his ear, and blood just started gushing out, and my husband said 'Quick, get down!' and I grabbed the baby and we ran and layed down on the grass and I got on top of him. It was just right by us when it all happened. -- Gayle Newman.

Usually in Presidential motorcades, a car or truck with press photographers rode right in front of the President’s limousine to take photos along the route. Somehow on this day in Dallas the press car wound up 8 cars behind the President’s. No doubt there’s some perfectly innocent reasonable explanation for that. Anyways. Some of the reporters jumped out when they got to where the assassination just took place, and seeing the Newmans on the ground covering their children, told them to stay put for a moment while they took their photos.

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Jay Watson of WFAA radio & tv, per his own description, "commandeered a car" to bring the Newmans directly to the Channel 8 television studios. (Understand this was before the era of portable hand held television cameras.) A colleague was assigned to tell the studio to be ready to go live and to be sure to record it (not yet the usual practice). Within 20 minutes of the shooting, the Newmans were recounting what they saw on live television.




Oh, for anyone not familiar with Dealey Plaza, "behind" them where they thought the shots came from was the north knoll and pergola. The 6th floor of the Texas School Book Depository was to the left and in front of them. The Newmans were not interviewed by the Warren Commission.
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U.S. National Archives reverses self on promise to declassify JFK assassination documents for 50th anniversary; reason: pressure from C.I.A.

American public told "You want answers? You can't handle the truth!"

National Archives: No new JFK docs - Bowing to the CIA, the National Archives says it won't release 1,100 secret assassination documents in 2013. By Jefferson Morley, Salon.com



Text mirror )
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Two people on my LJ friends list have posted about Hollywood films using some good New Orleans scenery but having actors speak with "Southern" accents little like how New Orleanians talk. I agree -- Friends and I have been discussing and laughing about this for years.

Comments on few of the films, either mentioned by others or pop to mind at the moment:

Benjamin Button (2008) I discussed this film earlier. One of the most beautiful usages of New Orleans scenery Hollywood has done. Alas mostly Hollywood standard for the accents, though not as bad as some, and at least they didn't try to give New Orleanians a faux "Cajun" accent.


JFK (1991) -- I'll take a pass about assessing the "conspiracy theories" here in interest of preserving the small segment of the internet remaining devoted to neither porn nor arguing about the Kennedy assassination. I will note that even if it had nothing to do with Dealey Plaza, the Garrison - Clay Shaw case seems to have rounded up a cast of colorful characters that seem out of a lost novel by Tennessee Williams or John Kennedy Toole. A number of them still alive at the time have cameos in the film (including my former trombone teacher, the late Layton Martens). If Kevin Cosner looked little and sounded less like Garrison, I have to say that John Candy's portrayal of Dean Andrews is uncanny. A fair amount of good local location shooting. The real trial was actually at Tulane & Broad, not the old Courthouse in the Quarter.

After seeing "JFK" on the big screen, my date and I got into a cab and started discussing the film-- a well done bit of cinema, certainly the story should be taken with more than a grain of salt, but who expects accurate history from Hollywood, it's entertainment. The cab driver quickly injected himself into our conversation in a heavy Yat accent. "Every thing in the movie is true! It was exactly like that! I know, I was there!" We had gotten into a cab driven by one Perry Russo. (I wonder if he circled his cab around cinemas showing JFK when the movie ended in hopes of starting just such conversations.) Becoming increasingly worked up as we drove along, he amplified on the theme, and made claims including that many of the scenes in the movie which I thought were obvious re-creations were actually secret original footage discovered by Oliver Stone. I sort of enjoyed his rant as a colorful anecdote, but after we got out of the cab my date confided she'd been frightened by the experience, worried that the driver was a dangerous maniac. I later learned that Russo said he wanted to expose the Conspiracy because he didn't want that chicken-shit Oswald to get all the credit for the patriotic accomplishment of putting down that Commie bastard Kennedy. If I'd know that then, I would have been creeped out too.

The Big Easy (1987). One of the worst for making New Orleanians into Cajuns. Great historic footage of Bucktown Point, a gone pecan since Katrina.

Live and Let Die (1973). One of the classic era James Bond films. The New Orleans scenes are too breif, and the chase along the Bayous with the caricature Southern Sheriff is far too long. Highlights for me are the scenes with Dejan's Olympia Brass Band, including many now gone greats, and trumpeter Alvin Alcorn knifing the secret agents as the baby-faced killer.

Tightrope (1984). Some interesting local scenery, edited into geographic impossibilities. The Prytania Theater broke into laughter during the foot chase scene where they're running through Jackson Square, turn a corner, and are in (IIRC) Metairie Cemetery. Local model Kathy B. as nude corpse #1; Kathy B. was known as "the Official Tits of the 1984 World's Fair" as she was also the model for the giant mermaid statues at the main entrance.

A Streetcar Named Desire (1951). The only New Orleans scenery is right at the beginning. It shows the area near the foot of Canal Street, with the old Canal Streetcar, the old Louisville & Nashville Railway Station and the former pedestrian walkway over the tracks. I think this was around where Canal Place is now; I and most New Orleanians are too young to remember it now.

The Wacky World of Doctor Morgus (1962). Low budget sub-B movie featuring well loved local horror host not at his best. Some good footage of Canal Street and the Moissant Airport, and lots of real New Orleanians saying the dialogue. Also features an appearance by exotic dancer Chris Owens, who astonishingly is still entertaining on Bourbon Street. (I can recall joking with friends about Chris Owens' improbably long career more than a dozen years ago. How naieve I was then! Now I realize she is one of New Orleans' eternal fixtures, like humidity. She was probably here before Bienville landed from France, and will still be here a thousand years after the city sinks into the Gulf, doing the cha-cha for an audience of entertained marine life.)

The Savage Bees (1976). I think I last saw it some time in the '80s. Killer Bees movie, with some footage of a Volkswagan Beetle with plastic bees glued all over it driving through the French Quarter and into the Superdome. A friend who saw them filming a scene in the Quarter thought it looked like the movie was going to be pretty stupid; she was right.

Miller's Crossing (1990). The story isn't specifically set in any particular city, but most of the exteriors were filmed in New Orleans, making very good use of the city to get a late 1920s look.

Deja Vu (2006). Mentioned here. First film to do much filming in New Orleans after Katrina. They could have had lots of astonishing footage, but mostly didn't because it would have overshaddowed the story.

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