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I recently bought 3 books of New Orleans interest. I have the most to say about the one I've only read a fraction of.

1) "The Great Deluge" by Douglas Brinkley. I'm just under 60 pages into this much touted history of the week of Katrina-- it's worse and more annoying that I'd imagined. I know a bit about New Orleans history, and spotted 3 clear glaring factual errors in the first 10 pages and as many more dubious sounding statements that I suspect would fare no better with research. Historical details like where the levee breached in the great flood of 1849, what decade African American laborers from the rural parishes started coming in to the 9th Ward in significant numbers, which areas flooded in 1927, etc may be considered tangential by some, but sheesh, the man is somehow a PROFESSOR OF HISTORY and of a status that he could have run things by someone to check for blatant factual errors. It undermines his general credibility. I put no stock in Mayor Nagin's allegation that the book was hurried out in an attempt to damage his reelection chances-- until I started reading the book. Brinkley talks about Nagin in snarky language, full of phrases like "all hat, no cattle" and "a schoolboy afraid to recieve his report card". Nagin did things wrong? Then give us the facts. Brinkley's prose seems more appropriate to a political discussion in a neighborhood bar than a serious work of history. I'm still not to the third chapter in the book because it's so damn annoying I have to keep taking breaks. I keep at it because I'm told (for example in the story in this week's Gambit) there's some worthwhile stuff in there.

Check out Picayune collumnist Stephanie Grace's "The Great Backlash".

2) "Tubby Meets Katrina" by Tony Dunbar. A novel with Katrina in New Orleans central to the story. The dust jacket says it's "a Tubby Dubonnet Mystery" but perhaps that was added by the publisher since there's little if any mystery element. Actually the plot is a bit thin, but it has much local color and the type of things that were going on during and after the storm. For the most part I found it a fun easy read.

3) "Blue Monday: Fats Domino and the Lost Dawn of Rock 'N' Roll" by Rick Coleman. This is an excellent clearly well researched biography that also gives good insight into place, culture, and time. Highly reccomended for anyone interested in New Orleans music history and/or the early development and flowering of rock & roll.
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I signed a contract and gave a deposit yesterday-- roofers are supposed to get to work on my home by a week from Monday at the latest; may be able to make a start before. I could write a long post on my roof saga so far, but will for now refrain.

Thursday and Friday I took a couple hundred photos in the Lower 9th Ward and St. Bernard Parish. Most of New Orleans got wind and flooding; there they got storm surge funneled in by MRGO. The devestation seen in town just for a few blocks around the levee breeches looks much like large sections of Arabi and Chalmette. One good photo alas I missed-- I was on my way out as the sun started to go down Thursday, and was heading back into Orleans on Claiborne Avenue. At the Parish line, the road was blocked off by a wall constructed of flood totaled vehicles, stacked 3 high! Alas, I was shooting into the sun, and I couldn't get a decent photo. When I got back the next day about 10am, they were in the final stages of dismantling the wall.

Last night I went first by Octavia Books, where local writer Tom Piazza was having a signing of his new book Why New Orleans Matters. Like my neighborhood bookstore, Octavia was already sold out an hour before the signing-- despite having had 300 copies! More should be in at Octavia and Maple Street next week. Good to know its selling well!

I didn't stick around for the reading, as I had openings to go to. Yes, last Saturday art openings (a week early, due to Thanksgiving, and because, hey, we need it) are back in force. First to two on Magazine Street. Magazine Street is a long 19th century street, one lane in both directions, gradually curving to match the bend of the River with a mix of residences and mostly small locally owned businesses. It seems to have been the first area to hit a critical mass of reopenings, and has become the commercial center of Post-Katrina New Orleans. I first went to the Accademy (with excellent stuff as always-- even more so than usual as this was a staff show; I need to go back and take a longer look at some of the paintings) then Carol Robinson, generally one of my favorites. While I was glad to see the openings hopping again, I found I couldn't really get into it so much. Katrina is the thousand pound gorilla, not just in the room, but with its hands on all of our sholders-- sometimes gently, sometimes insistantly, but always there. Next I went down to the Ogden in the CBD, with more relevent exhibitions of "Lost New Orleans" -- historical photos and paintings, and some amazing Post-Katrina photos, including by a fellow Krewe du Vieux member. Checked out a couple of Julia Street galleries-- Le Mieux, Arther Rodgers, and George Schmidt-- before things closed up. I ran into a number of folks for the first time since comming back.

Gotta get ready for a Krewe du Vieux sub-krewe meeting downtown this afternoon.
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My take on some LJ meme:

Books: I have thousands; havn't tried to count them for a long time.

Last books bought, last books read:
The last three in both categories happen to be the same for me at present:
3) Ken & Thelma, The Story of A Confederacy of Dunces, by Joel L. Fletcher. If you're a fan of John Kennedy Toole's "A Confederacy of Dunces" and want to know the backstory of the author and the book, this is the book to read.
2) Prime by Poppy Z. Brite. Another enjoyable novel with a pair of New Orleans Chef protaganists from [livejournal.com profile] docbrite, sequel to "Liquor".
1) Pioneers of Jazz, The Story of The Creole Band, by Lawrence Gushee. This is a book I and some others interested in the early/developmental days of jazz have eagarly been waiting for for years. I am not disappointed. This is a major book in the field, detailing the career of the Original Creole Orchestra, the band of New Orleans musicians who first took jazz around the United States in the 1910s. As one also doing research in very early jazz, I'm no doubt one of the few who wishes the book had even more obscure details and minutia. I'm sure I'll be refering to my copy over and over again.

Yes, I do sometimes read books with no relevence to my home town.

DVDs: This is easy, as I have exactly 4:
1)Fahrenheit 9/11. You've probably heard of this one.
2)Ragtime. Pretty good film adaptation of one of my all time favorte novels ("Ragtime" by E.L. Doctrow is, IMO, as well crafted and brilliant a work of historical fiction as anything I've read). What the hell department: Why is Elizabeth McGovern's boobage pixilated in the DVD extra feature extra footage when it isn't in a longer scene from the standard cut of the movie?
3)Road To Bali. A $1 "Sav-A-Lot" buy; I got my money's worth. Bob Hope is, as usual, wacky without actually being funny. Continuing the gratuitous New Orleans ties theme, Dorothy Lamour was from here.
4)Betty Boop, The World's First Female Superhero. Another dollar bin find; a less successful investment as it's all Late 30's Boops (the last really good one I'm familiar with was from 1934).

Other:
I have hundreds of video tapes, as well as cassettes, LP,s cds, cylinder records, Edison Discs, dozens of 45s, and thousands of 78s.
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One Dr. Edward Bliss Foote (1829-1906) wrote an interesting series of books in the 1870s, braving the Comstock censorship of the era explicitly dealing with anatomy and sexuality. His works contain such interesting aspects as warnings of the dangers of alcohol and tobacco, defence of the rights of women and minorities, and some of the first positive depictions of interracial dating.

All this is is a series of 5 books of educational fiction. For children. With comic relief provided by a wacky monkey.

Read about it on village voice site. (kudos to [livejournal.com profile] crasch)

Clearly "Sammy Tubbs the Boy Doctor and Sponsie the Troublesome Monkey" needs to be reissued &/or made availible on the web.
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Ah, we've been having beautiful weather here -- clear and sunny, but in the 70s rather than 90s, unusual for August. And if this weren't enough to put locals in a good mood, this news comes out:

"After 23 years of off-again/off-again production turmoil, script rewrites and ownership lawsuits, the making of "A Confederacy of Dunces," so close to fruition this past year is . . . off again.

"Although half the reviews of Will Farrell's recent comedy "Anchorman" say the funny man's next role will be Ignatius Reilly in "Dunces," that, in fact, is old news and out of date.

"Not gonna happen, despite so many positive movements in the past year.

"Miramax went so far last winter as to bring a director, indie hotshot David Gordon Green, to town to live in luxurious environs and absorb the city's karma, but now he's unemployed and crashing on people's couches.

"The Steven Soderbergh script -- probably the 10th rewrite in all -- is kaput. Co-producer Drew Barrymore's production company has bailed. There is no money. There is no screenplay. There is no cast. There is no movie." -- Times-Picayune

"I tend to be of the belief that a shitty movie can't "ruin" a book, but along with most of New Orleans, I never want to see this movie get made. The book is just too important to this city. It's one of our true epitomes. We shouldn't have to endure Will Ferrell and Drew Barrymore talking in magnolia-julep accents so some Hollywood pusbag can make a few bucks." -- [livejournal.com profile] docbrite

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